1925
It feels closer and closer to my ideals with the abstract curves of the naked body. The form is truly separating from what i am getting to and it is becoming much better thanks to Miriam. Her curves give the sense of familiar landscapes with only the use of the body, it is immaculate. Finding more and more relation to what I am aiming for. It is more clear as I see the form of many in this series and how much it can be related to other subjects, whether living or not.
Nelson, William. Edward Weston-One Hundred Photographs. Kansas City, Missouri: Nelson,
William Rockhill, Gallery, 1982.
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